Ok, tentative connection with that quote, but I just really liked when she said that.
So I read this because I'm interested in how a thriving art collective in Philadelphia sees itself in the greater world of art collectives/art/Philadelphia/life. Seems relevant especially to conversations we've had in Professional Practices this summer.
I also read the second thing about aesthetics and politics. I felt pretty great about the last paragraph because it made me feel better about having to fight off glazed-over-eyes-time when even reading a summary of the volume. I appreciated her acknowledgement of the contradictory nature of the authors' point of view and use of language.
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